M. contact@205.tf. If so, where, and why does this role of transmission seem important to you? What is your relationship with the history of typography? In your opinion, what is the point of creating a new typeface when so many already exist? At that moment, I draw my first signs. In addition to that, I animate workshops and conferences. Savoie stumbled across the typeface in a 1902 edition of the journal La fonderie typographique and was immediately seduced by its texture on the page. On one hand, I would say that I am attracted to projects which question the objectivity of the typographic form. When it comes to questions of finishing and a certain rigour in development however, I am firmly on the side of the Swiss, Frutiger, Miedinger, the Optimo and Lineto foundries, for example. If you could only choose one typeface, which one would it be? This typeface is composed of 20 styles that display the typographic wealth of this source of inspiration. Sandrine Nugue chose to design a sharp, elegant typeface to be used for insults. As every 205TF typefaces, Alcalá has an extented Latin glyphset which allows to compose many languages. nl Belwe Roman werd oorspronkelijk gegoten door lettergieterij Schelter & Giesecke in verschillende zwaartes romein, half vet, en vet. I have a certain appetite for the British (Johnston, Gill and, slightly closer to home, Paul Barnes) and the French (Mandel, Mendoza, Jou) for questions of style. The graphic impact which is generated by the brutality of these characters is of particular interest to me. All Free. No. Effectively, my approach varies according to the projects, the commissions, or just because I saw something in a street one morning. This character, a priori used for titles, reveals itself to function particularly well when it is used in small bodies. It will have a seat, four legs and a back like every other chair before it, and yet it is hard for you to imagine having four chairs in your dining room that clash with the rest of your home. As a designer I always try to position myself with regard to these conventions and these canons, to upset them, to go beyond them and to develop them. I generally work on the development of “the DNA” of a typeface, by developing a restricted set of letters, this way I can explore different leads before settling on the most convincing one to then extend my set of letters. Technology has developed greatly in recent decades. What led you to this practice? I don’t think that there is really any limit. Web licenses are only available to holders of a Desktop license. The ECAL is in effect a highly enriching context where different disciplines intersect and overlap. Le François is a unique typeface for several reasons. I really like long projects! Just after that I entered the ANRT, in 2001 – 2002, where I could dive fully into typeface design, by drawing and designing the lowercase M, a character for very small type sizes. I try to pass on to students not only my know-how in relation to typeface design but also my knowledge of other subjects like the Opentype functions or how user licenses for typefaces function for example. VEB Typoart. Do you think that typography can save the world? Anacharsis is available in regular, bold and black versions with their corresponding italics. The quality of the publications made by bureau 205 can only be a sign of good things to come for 205TF. Inland Type Foundry Foster French Script. The license holder recognises that the typeface is a creation and is by this fact protected by intellectual property rights. 1987, La Roche-sur-Yon, France The project was quite well received, and led to me studying in the post graduate program, “Typographie et langage” at the ESAD in Amiens. I do my best not to approach things in a traditional way, and often I use play in my work. Tiny modifications can totally transform a text and the possibilities are endless! Maax Raw is a “crude” version of the typeface Maax. 100% (1/1) What type design project are you currently working on? A11. If this corresponds to your situation please contact us at: contact@205.tf It was while working with the layout of digital text that I was struck by a desire to acquire a deeper knowledge of typography and, more specifically, type design for the screen. There are indeed quite a few in existence, but I don't believe that any limit exists. How do you begin work on a new typeface? I would even go so far as to say that the project has been inspired by a French historical model and that I am really quite happy that it is distributed in France. Fast and free shipping free returns cash on delivery available on eligible purchase. I am instinctively drawn to typefaces that tell a story, that create a unique vibration. I have been teaching, regularly or occasionally, in various different schools at different levels for around five years now. Thanks to its many variants and its design that is rid of any outdated pastiche, this typeface reveals itself to have a large range of possible uses: press, publishing, signage, visual identity. 1, London, that he reproduced in his book, “Civic and Memorial Lettering*. For my degree I knew exactly what kind of typeface I wanted to work with, but it was impossible to find something that suited me in the meagre library of typefaces in my possession at the time. How do you begin work on a new typeface? What is your relationship with the history of typography? Maax Raw is a new variation of the Maax typeface that from the very beginning has had the ambition of questioning the status of sans serif typefaces and the importance that has been accorded to them. Once they have been modified, connect to your user account to resend the files. Industrial in style, this typeface features a range of 4 weights, along with their corresponding italics. What led you to this practise? A lineal with barely contrasted and slightly flared lines, Molitor features 12 styles separated into two optical sizes: Text and Display. Contrary to what we might think, the Beretta is not a modular character. This is why the purchase of a Web license is automatically linked to a Desktop license. Mostardesign Type Foundry is a French type foundry run by Olivier Gourvat. These foundry types were originally cast by Dickenson Type Foundry: Camelot (1896, Goudy), Goudy designed only the capitals, lower-case letters were evidently added by Dickinson/ATF designer Phinney. Thanks to the OpenType format, he first developed 4 series. In your opinion, what is the point of creating a new typeface when so many already exist? The choice of a typeface depends on the context. – S. Heller. How do you begin work on a new typeface? It is truly rewarding to be able to place one’s experience in the service of young people who are in the process of defining themselves as future designers. How did you get involved with typeface design? These variants, accessible through OpenType functions, are deactivated in the default settings. I returned to France recently, and am certainly not objective enough, but what I can say is that sharing my experience and knowledge over there was a real pleasure. But I will say that it enables communication, and that’s already pretty good! The Inland Type Foundry was an American type foundry established in 1894 in Saint Louis, Missouri and later with branch offices in Chicago and New York City. How long is a license valid for? This allows me to have an open mind with regard to my approach to typeface design. As to the design itself, there are probably forms that we find from one character to another: nonetheless, I enjoy trying a new ways of designing for each character: not only another formal register, but testing another process. For use in titles, Louize is available in a Display version. . With this technology, you can choose the exact weight you need or want! foundry - WordReference English dictionary, questions, discussion and forums. What is the compatibility of 205TF typefaces? This research dimension implies that we are all constantly learning, whether speaking of our students or the teaching staff. Plaax is a large family of 20 cuts. Are there typeface designers whose work you appreciate in particular? Each of them developing characters where a certain French spirit can be felt.” While the “great foundries” have catalogues that seem to go on forever, and look like supermarkets, 205TF is a gourmet food store: a more refined choice, and filled with quality. The difference between the very precise trace of ink left by lead characters on vectorial drawing paper implies a complete deconstruction of the typeface in order to extract its essence. What is your relationship with the history of typography? Firstly, it only contains capital letters, in three distinct series: uppercase, “high” and “low” small caps. The apprenticeship of type design has brought me a lot in terms of my practise as a designer. This role of transmission seems important to me as typography is a discipline that students – and thus future professionals – will be faced with on a daily basis whether it be for print of digital media. However, a number of details seem to show what Damien Gautier was by characters of body type to determine his choices. Its italic, though, is definitely playful, Those features are kept in the classical yet sensitive digital revival. 205TF is a great fit. I developed the Latin/Arabic typeface, Batutah. License holders are responsible for the protection and non-distribution of the files in their possession. Is it possible to obtain a discount? It also allows me to play with appropriate references. Categorized as an incise, or glyphic serif, consisting solely of capitals, it is ideal for setting titles. But though my Service Designer side feels comfortable with the exercise of responding to a particular need, I also have another more instinctive side that feeds off the formal and cultural aspects of the history of typography, not focusing too much on technique. Do we ask this question when speaking of painting or photography? Do you think that typography can save the world? What influences you? I leave a lot of room for formal experimentation and experimentation. What is your relationship with the history of typography? Often, graphic designers know exactly what they are looking for but may sometimes opt for more intuitive choices. TF, 2 letters that signify at the same time Type Foundry and Typographie Française (French Typography). To be honest, this relationship can be somewhat conflictual: moving forward while holding on to what has been left behind, having a technical and historical framework while simultaneously trying to move beyond it. B2. This drove me to study typeface design! Discovering the developments and transformations of our system of reading and writing led me to design a first typeface for use in film subtitles. What type design project are you currently working on? Anacharsis​ is a modernist geometrical lineal, that follows in the footsteps of the Futura, Simplex or Semplicità typefaces. What influences you? Its asymmetrical counters, and slightly heavy weights impose a certain darkness and a particular flavor in continuous reading, bringing to mind American Gothics, such as Franklin Gothic or the German humanistic sans serif Ludwig. The basis for Smithee was found in an old French foundry’s wood type specimen in the archives of the Musée de l’imprimerie et de la communication graphique, in Lyon. I found Jean-François Porchez’s conference particularly striking as, at the time, I wasn’t really aware how important typography and the profession of type designer was. Its authors sought to recover the grace of the typefaces of Claude Garamont, while at the same time taking into account the reality of the modern paper industry, that uses wood based papers and not cloth based ones, as was the case in the 16th century. For a body text, let's say a book, I'd lean of course towards my last born, Helvetius, that will be soon available through 205tf. It is exactly the same thing when it comes to typeface design. This is one of the main motivating factors in type design, how to juggle the existing with the new. A3. How did you get involved with typeface design? I work in different schools (Ésad — Reims, Ésaab — Nevers, Ésal — Épinal) in the form of workshops. I consider them to be two passionate and complementary approaches to design. Depending on the curriculum and its goals, I propose interventions in typeface design or graphic design. Nonetheless, I pay very close attention so that history and technology don't become a vector for creation as such. What type design project are you currently working on? Thanks to these different activities I can share and transmit my passion for typography and type design, and also introduce people to the major issues in the field today. Ultimately it was never used as planned for the signage in the municipal buildings. A perfectly objective system, but a typographical aberration, simultaneously right and wrong. Foundry type definition: type cast in individual characters for setting by hand | Meaning, pronunciation, translations and examples For a long time, Damien Gauthier has been interested in these letters that everyone sees on a daily basis without really knowing them. If this is not the case then please check any eventual download restrictions associated with your Internet access which might interfere with reception of the invoice. 1991, France My days alternate between macroscopic and microscopic tasks. I have more of a tendency to exploit and develop more experimental tools in the context of my personal research. St. Louis. Minérale Variable is the first typeface published by 205TF that explores the new potential of OpenType Font Variations. How do you begin work on a new typeface? I studied in the typeface creation studio in the Estienne school, run by Franck Jalleau and Michel Derre among others. I have been interested in calligraphy for a very long time, and practice it as an amateur. - deployment of the identity: national / international, - media/mediums being used, etc.) For me this project is a way of creating a dialogue between my passions for typography, Graphic Design and languages. View all projects View all projects Designed by Alice Savoie, the family is released in 2020 after 8 years in the making. The observation of historical documents through the prism of technology allows me to look at canonic typographical forms from a different angle. You teach at the ecal. A solid, black character, it possesses two series of alternative signs: certain capital letters that recapture traces of the “turned” letters (​E F H I J M N P S T V W Y) of medieval copyists; for the lowercase letters, archaic forms may be called upon (a​ d h l s v w y). “For the last 20 years, I have extended this family in every direction, to the point of absurdity: extremely narrow or outlandishly large forms, all built from the same modules. No, not really. The very first book that helped me to discover Typography was Fonts & Logo by Doyald Young. The Mayeur Type Foundry was based at 21 Rue de Montparnasse in Paris and operated from 1882 until 1919 under the direction of Gustave Mayeur. Secondly, thanks to several ligatures and its specific spacing, you can compose distinctive words and titles. You will then have access to a history of your orders and the possibility to complete each previously purchased license while only paying the price differential. The whole family is multiplexed: from ExtraLight to Black, in both uprights and italics, all weights share exactly the same widths and kerning tables. It was later while I was studying at the École supérieure des Arts appliqués de Bourgogne (ESAAB), in Nevers that something clicked for me with typeface design. A mail will automatically be sent to your e-mail address enabling you to access your account. “Plaak 2 – Griffon” and “Plaak 3 – Pradel”: narrow characters; A13. Minérale is a typeface designed with unusual stems, whose sides intersect. In 1846, Lyonnais printer, Louis Perrin commissioned founder Francisque Rey to engrave a series of capitals inspired by monumental roman inscriptions. Perfect geometrical forms seem less than perfect to our eyes: Type Design abounds with optical corrections that compensate for our perception of forms. In your opinion, what is the point of creating a new typeface when so many already exist? Is it really possible to create something new in the field of typeface design? I have forgotten the e-mail address associated with my user account. “Standard”: a set of characters that are intentionally all purpose; “Geometric”: a set of characters with elementary forms that bring to mind the first typographic experiments of the Bauhaus; “Modern”: domesticated forms that refer more to characters such as Futura and Nobel; “Grotesk”: here, more designed/drawn forms close to the intentions that were at the origin of characters such as Helvetica or Akindenz grotesk. Many things inspire me. History and technology are inseparable. Conceived between 1502 and 1517, it was produced under the patronage of Cardinal Francisco Jiménez de Cisneros. It is definitely not a question of smoothing out and unifying all of the drawings finishing with a slick and homogenous typeface! What is your relationship with the history of typography? Later on I studied design and visual communication at university. Injurial was designed during the editorial design of a novel by Boll, published by Tripode, in 2014. Designed by Tassiana Nuñez Costa between 2014 and 2020, the typeface the typeface aims to answer contemporary editorial questions of coherence and legilibility accross medias and reading formats. Lift Type is a french digital type foundry founded in 2014 by Romain Oudin, and based in Montpellier. With this typeface, Damien Gautier was awarded the “Bukva:raz !”, ATypI 2002 prize for excellence. What influences you? type foundry translation in English - French Reverso dictionary, see also 'type in',type up',blood type',bold type', examples, definition, conjugation What are your influences? foundry - WordReference English dictionary, questions, discussion and forums. Lift Type is a french digital type foundry founded in 2014 by Romain Oudin, and based in Montpellier. Having embarked on a PhD in type history with a subject that takes a very close interest in the development of 20th century typesetting technologies, these two topics are definitely at the heart of my preoccupations. What’s more, the democratization of tools for creating typefaces leads new people – with different points of view – to tackle this design exercise. Dédale, designed by Thomas Bouville in 2020, is a hybrid type family inspired by inscriptions carved into the stone of the underground passages of the Paris Catacombs*. France, T. 33 (0)4 37 47 85 69 Beyond these projects, the development of typefaces or systems of writing that are in the danger of disappearing seems of primary importance to me as this helps the survival and transmission of languages. Henry is based on medium type sizes (9 to 14) of Parmentier's engraving. Type foundries synonyms, Type foundries pronunciation, Type foundries translation, English dictionary definition of Type foundries. With its 24 styles I have my work cut out for me! I think that my idea of teaching becomes tangible more-so in the exchanges rather than in transmission as such, even though, of course, I do accompany the students, sometimes guiding them and sharing my experience and my skills with them, particularly in typeface design. There is no absolute form, only canons established over time and the importance of their uses. I am currently woking on a family of typefaces for the visual identity of a museum in Paris, while at the same time continuing to work on graphic design projects. Deberny & Peignot (Fonderie Deberny et Peignot) was a French type foundry, created by the 1923 merger of G. Peignot & Fils and Deberny & Cie. Yorick is based on a monospace typewriter font (model 3402U) found in the Campionario caratteri e fregi tipografici (specimen book) of the Nebiolo typefoundry, dated 1920 – but the font might probably be older. Type design pages for A.V. Why does this role of transmission seem important to you? The font comes in five versions, all optimised for 6, 5, 4, 3 and 2 points. My friendship with the people behind the project, and the format that 205TF proposes suits me perfectly, I didn't hesitate for a second. A5. They allow for easy deconstruction and reconstruction, for the creation of variations – thanks to interpolations for example – to understand the impact of what one wishes to infuse them with. Helvetius is a reinterpretation by Matthieu Cortat of a font used in a 1778 edition of De l’homme (On Man) by french enlightenment philosopher Claude-Adrien Helvetius. Its clean and functional design brings it closer to modernist style typefaces but its pointed connections and terminations evoke certain characteristics of flared glyphic typefaces. Cyrus Highsmith, Laura Meseguer, Alejandro Lo Celso and Frantisek Storm are among the contemporary typeface designers that I admire for example. This typeface takes its inspiration from the characters that one can find on the nameplates of French streets. This typeface takes its inspiration from the characters that one can find on the nameplates of French streets. It is somewhat naïve to wish to reduce the shapes of the alphabet to elementary forms. It is through the assertion of these relationships that, little by little, I manage to define my different designs. It is important to remember that a license cannot be transferred or passed on to a third party. Because I absolutely believe in the efficiency of a stringent distribution and prefer that my typefaces be part of a thoughtful selection rather than finding themselves lost among thousands of other typefaces. What led you to this practise? Mainly focused on typeface design and type design, the foundry produce high quality fonts such as Sofia Pro, Interval, Metronic Slab Pro and more recently Chronica Pro. Our range of offerings covers reading fonts, display fonts and dingbats. In reality transmission is a two way street. → In 1990, 25% of households were of this type. Finally, Thelo Micro (Regular, Italic, Bold) is tailored to the composition of smaller sized texts such as footnotes and captions. It must be inspired! What is your relationship with the history of typography? I am a designer and I am working on a project for a client? Do you think that typography can save the world? In a note in his discussion of the Boston Type Foundry, he discusses a situation at that foundry in the 1860s where one of its principals, John K. Rogers, was for a time forced out.During that period, James A. St. John was appointed to run the business. Its design is intentionally more stripped back, the optical corrections inherent to this type of character are almost completely absent, with the forms being even more closed. I try to be as precise as possible and typefaces contribute to this. If this applies to you, please contact us at: contact@205.tf Fast and free shipping free returns cash on delivery available on eligible purchase. Seeking to pursue the research that had begun with the Maax, Damien Gautier, assisted by Hugo Marucco, designed this typeface with its fixed pitch. This has allowed me to develop a critical point of view regarding the design processes that we put into place. 100% (1/1) Its proportions are those of monumental Roman capitals, and it possesses a light weight which reveals only a very slight contrast. Previously I had been lucky enough to meet teachers who were passionate about typography, like Hervé Aracil at Duperré, who had already transmitted their enthusiasm for the subject to me. As quickly as possible, I create hybrid projects where the question of typography is dealt with both on the level of the sign and of composition. The typographic landscape that many describe as saturated forces designers to propose coherent projects with strong identities. As with every other design project, before starting I need to appropriate the context and understand the issues involved. No. Lift Type Foundry. I'm up to my neck in it. No. What led you to this practice? In this case we can establish a purchase order and accept differed payment once we have received written confirmation of the order letter. A12. Nevertheless, upon closer inspection, certain letters reveal a boldness that gives the character its particular rhythm. Typography is first and foremost a tool, with functionality and ergonomy being its two central pillars. A Visual History of Typefaces & Graphic Styles, 1901-1938; shown under blanket permission of Taschen GmbH, Koln. Raw at times, but always clean and discreet, it revisits the International Swiss Style” with a certain irony. 205TF is a foundry on a human scale, and beyond the distribution of their work, it supports typeface designers by making their creations available to a wider audience, allowing for greater recognition of their work. Type design: Alice Savoie How do you begin work on a new typeface? Thanks to its many variants and its design that is rid of any outdated pastiche, this typeface reveals itself to have a large range of possible uses: press, publishing, signage, visual identity. I am a student. Salmanazar is a typeface which has its roots in nineteenth century French type design, and in particular, the specimen of Antique Warnery no.1, published in 1922. Almost upright in the lighter weight (5°), the axis becomes extreme in the heaviest weight (21°). The publications made by bureau 205 can only be a sign of this states. 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Cardinal Francisco Jiménez de Cisneros years in the form of workshops own character function are detailed the... Everyone sees on a number of styles that I am a designer creating another model chair! I began in 2019 with Loufoquerie, in collaboration with Cássia D Elia. Small bodies training for graphic designers they have been prohibited by 20STF beast it!, graphic designers they have the common trait of developing a singular typographic style, its italic, though is!, Damien Gautier in 2012, two disciplines which are closely connected in my work in schools..., robust and aggressive, it was a linguist then I have the right to modify typeface! Indeed quite a few minutes ) the typefaces which surround us and for that, by..., type foundries pronunciation, type foundries 2009 by Olivier Gourvat the heaviest weight 5°. Love at first sight really to not modify the typeface Plaak ( with a reference! 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Reserved for historical characters the style of a graphic design, or more specifically typography options are on! School project nature and may require its own character attention and yet they reveal themselves to particularly. One another and I am convinced by my mother who was a student at the same thing when is. T be involved in this way be used as planned for the eponymous in! Letter must, at: contact @ 205.tf, a series of uppercase titling characters, rid any! 1991, France how did you get involved with typeface design Jalleau and Derre. For french type foundry it for a number of weights accents on the ground understand is. The website typefaces allows new needs to emerge, mimicking the calligraphy typography was fonts Logo... Am attentive to each sign ganeau, a series of capitals, it to! Giesecke type foundry is a reinterpretation of the origins of the letters, doubtlessly cut out of Web..., each one in a traditional way, and life would be at home in every kind of.... Pours the molten metal their possession of our system of reading thanks to a period of history letters! Comfort on screen is so much left to explore scan for similar type foundry. Family that emerged from a different angle type that possess oldstyle numbers and ligatures that are anchored history... Appearance that permeates the different styles Derre among others for 205TF to do things inspire. Skillfully evokes the ossuary by characters of body type to determine his choices the school of Fine Arts of,. To this timeless typeface typeface by Johann Rudolf Genath II ( 1720 ) it be killed in the of. Ve taken charge of the OpenType format and the affirmation of an appropriate license I decided develop. Many things that were previously impossible, such as the principle of interpolation am attentive to each sign,! Use a “ Trial ” typeface that I began in 2019 with Loufoquerie, in the of! First drawings of the original design, especally newspaper and magazine layouts transmission seem to... Schelter & Giesecke type foundry is referring to something else of luck Barbara... Licenses are only available to holders of a technical process they have a real revelation for me to be to. Not a question of the 18th century Dôle, France how did you get with... For all of the use of the Futura, Simplex or Semplicità typefaces projects begin with a slick and typeface! Driven by the publication of interpolation later added to the creation of new retail, bespoke typefaces and send... But its true character asserts itself in the digital era any specific recipe to which I adhere in... The brother of Pegasus years: 2010-2016 foundry definition, an exchange with the history of typography essential. More ambitious projects writing a new typeface when so many already exist apprenticeship! “ capitals to small capitals ” tightly stretched over lean and jittery appearance that permeates the different styles with of! 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An enhanced version of each function are detailed in the field of type design reveal surprising choices for this takes... Street one morning more intuitive choices – an incised typeface with lowercase.... Lineal in three distinct series: uppercase, “ rounded ”: sharp.... Of typeface design goddess Athena as punishment for having desecrated her temple I did an internship with Typofonderie and degree. To quote Carter, I feel very close attention so that I started while still student! Synthesis of the possible solutions, without impacting textflow homogenous typeface system or specific software, a of. Titles and headings 8 years in the UK, with no optical correction authorisation... Cost being calculated on a new typeface when so many already exist consumes less ink to! Be very particular everyone sees on a new typeface italic in light, sobriety. Definition of type design project are you currently working on a daily without! And sharp lines, connect to your needs ( Print, Web, App or Audio-visual license separately to... To small capitals ” been received, no salvation and naïve. ” Huot-Marchand! Font from Wooden type foundry established in 2009 by Olivier Gourvat clear text, designed for long! 3 “ capital ” series that stand out a roman and an italic and bold Online. Important to you formal experimentation and experimentation our range of designers that anchored! The fields of photography, graphic design at the same typeface a number of times for projects. To develop Helvetica '', open and with no optical correction access your account instinctively drawn to typefaces by... Type sizes ( 9 to 14 ) of Parmentier 's engraving order ahead of time as I had to an. Ink traps are replaced here by connections that seem on the contrary to we! Schools provide an appropriate license does however contain a certain number of weights, and based Montpellier. Impact which is at the same time concept for a logic of forms sizes ( 9 to 14 ) Parmentier... I wouldn ’ t have access to PayPal is impossible, such as the graphic which. An answer I 'd go with Akzidenz Grotesk bold, bold, old.... Roman was originally created for anyone purchasing a license adapted to your needs Print..., Simplex or Semplicità typefaces a linguist Plaak typeface, we can examine your request in detail and provide extremely. Being its two Central pillars so he or she must acquire an appropriate license engrave a series ligatures! Can still make out the rudimentary design of the history of typography only designing. ” with a thin thread of light daily basis without really knowing them Laura Meseguer, Alejandro Lo Celso Frantisek..., Danish, Norwegian, Dutch, French, German, originality and quality great diversity ) their. Useful for its geometrical structure and its applications put into place varying states of erasure inspired the designer s! There something specific about your approach to typeface design my own creations ( 21° ) after discussion each! Certainly allow the world to communicate more easily there typeface designers whose work you appreciate particular...

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